Science fiction writers have long had a tradition of
creating works of alternative history, a subgenre telling stories based in some
‘uchronia’ – a time that doesn’t exist. The idea is simple: they take a setting
or an event that we’re all (hopefully) familiar with and then twist the outcome
a little so that the unexpected occurs.
But why do they write this kind of stuff and why do we, the
readers, lap it up? Well all fiction begins with the simple question, ‘What
if?’ and alternative reality tales ask more clearly defined ‘What if’s than
most. It’s a plot device that can be used to answer big questions or show us
something about ourselves and our world that we don’t (or don’t want to)
usually see. Three famous examples are;
What if the Nazi’s had won World War II?
What if President Nixon hadn’t been assassinated?
What if the Apollo astronauts had found alien lifeforms already on the moon?
What if President Nixon hadn’t been assassinated?
What if the Apollo astronauts had found alien lifeforms already on the moon?
How would these changes in events effect regular
people? How would we have reacted in
those circumstances? Would it have been how we’d like to feel we’d have acted?
A good writer can hold a mirror up to us with these kind of tales while at the
same time enticing us to read more with a rollicking good yarn. And that’s the
kind of stuff we like. It has a built in backstory that we don’t have to go to
the trouble of ploughing through chapters of prose to set up the payoff. We
already know that Lee Harvey Oswald was waiting for the President in Dallas and
that Neil Armstrong travelled through space in a Saturn V rocket. We don’t need
much set up, we can get straight on with the story.
BBC’s Saturday teatime favourite Doctor Who has asked this
kind of question for generations. In recent series they’ve had alternative
histories involving the destruction of Pompeii, Charles Dickens and William
Shakespeare to mention but three shows from the last few years. They make
little attempt at social comment, they usually just want to entertain and tell
a good story. That’s the road that I usually go down too when writing fiction.
I can’t see how my social or political views are more worthy of a platform than
anyone else’s, so I just try to get a good tale down.
I’ve had my own attempt at this kind of story recently. It’s
my first full length novel and it’s finally available for download via Amazon.
It will be available through the i-store and other online shops in a month or
so and a paperback version will hopefully be out in September. Its called ‘The
Happiest Workplace On Earth’ and it asks the question, What If Walt Disney
hadn’t died in 1966 but had continued the work that he was planning at the time
of his death? What if he had completed the utopian city that he wanted to create
and had actually managed to get people living and working in it? And what if
that city became a terrorist target?
It's good to finally give people the chance to read it.
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