I'm getting a bit tired of watching a big budget, usually
American, television series for around twenty weeks only to find a great big
cliff-hanger at the end. You know the sort. The hero's been chasing the bad guy
for the best part of half a year and they finally meet up, guns pointed at each
other as they stand in some gloomy shed they talk at length, tying up all the
season's loose ends. We know who did what to whom and, however implausible it
may seem, how they did it. The only thing that we need to know now is how this
standoff will end.
Cut to the outside of the shed. Suddenly the entire building
erupts in an immense ball of flame. Who lived? Who died? Cue titles and someone
with a Geordie accent saying "And you can find out what happened when we
show the next series in the New Year."
What? I invested twenty-odd weeks of my life and a good
chunk of my Sky+ box hard drive in the series for that? They made me care about
these people that don't really exist and I have to wait half a year to find out
if they survive? That's if the series isn't cancelled and they're left in some
kind of fictional limbo like 'Sapphire and Steel' or Sam from 'Quantum Leap'.
It's just not on.
That kind of thing works fine for the end of a single
episode though in the same way that the old black and white serial films used
to end each short installment. "How will Flash Gordon escape the villainous
Emperor Ming? Find out next week." And it's fine in comics too. It's quite
acceptable to finish an issue with the Green Goblin knocking Spider-Man out and
throwing him off the top of the Empire State Building. Will Spidey come round
in time before he goes bug splat? Probably, yes. My guess is that the Human
Torch will fly in and catch him. Again.
But when did you ever get to the end of a four-hundred page
novel only to read, 'To be continued in the sequel. Available from all good
booksellers next year'? I can't see any good publisher letting that go. Even
most of the Kindle 99p authors balk at that. A fiction book has to have a
beginning, a middle and, crucially, an ending. Even if its part of a series of
linked stories it should also work as a standalone piece on its own. Grab any
Sherlock Holmes tale for example and you have everything that you need to know
about the great detective in that self-contained piece. The same with Miss
Marple or Poirot.
There are exceptions - Lord of the Rings, Harry Potter - but
they're few and far between. And even they tie up most of the threads in each
volume. It seems that television drama is the only form of entertainment media
where it's become accepted and expected for the consumer to wait for the story
to continue. Am I alone in thinking that this is wrong?
So in closing I'd like to pass on something that I've
learned from all my years of writing. The secret of writing a good cliff-hanger
is -
© Shaun Finnie 2014